Medieval Round Table
Committee
Prof. Stephanie Trigg, School of Culture and Communication, sjtrigg@unimelb.edu.au
Dr Ann Sadedin, Information Services, annsad@unimelb.edu.au
Andrew Stephenson, Cultural Collections, andrewws@unimelb.edu.au
The Medieval Round Table is an informal discussion group open to interested students, academics and independent scholars. The Round Table meets monthly, usually at 6 pm on the first Monday of the month, for presentations of papers, discussions of participants' work in progress, discussions of readings etc.
Venue, unless otherwise advised, is the Large Seminar Room, second floor, John Medley West.
To be added to the mailing list please email Ann Sadedin, annsad@unimelb.edu.au or Andrew Stephenson, andrewws@unimelb.edu.au.
Programme for 2008
The theme chosen for 2008 is Time and Temporalities.
1 September
Celia Scott
Healing Miracles in Early Irish Hagiography
Healing miracles have long been noted as being central in the construction and portrayal of medieval sanctity, making up nine-tenths of the recorded miracles in both hagiography and at shrines. In contrast to the early medieval continental norms, however, there are relatively few healing miracles in the early Irish vitae sanctorum. Previously it has been concluded that for the early Irish “it was no great problem to support the long-term sick: people were prepared to wait until the sick recovered”. This paper aims to show that not only is this intrinsically implausible, but also that it is not supported by the evidence. A closer reading of the material indicates that the people of early Ireland did in fact seek out and receive miraculous healing from their saints, but that early Irish clerical writers did not consider this particular miraculous function central when constructing a picture of the saint, their sanctity and their power. Two independent but compatible explanations will be offered as to why there is such a degree of discrepancy between continental and Irish approaches to portrayals of miraculous healing in the vitae sanctorum.
6 October
Victoria Emery
10 November
Peter Weeda
The Structural and Functional Influence of Gregory the Great's Dialogi on Adomnán’s Vita sancti Columbae
It is widely recognised in early Irish studies that the early eighth-century Vita sancti Columbae (VC) of Adomnán is structurally very different from other vitae of its time in Ireland and the British Isles. The usual structure of a ‘Life’ of a saint is one that progressively moves from ordinary babe, albeit one chosen by God for a greater purpose, to that of being the holiest of holy-adult, a saint. In this way, the earliest Lives of St. Brigit, Muirchú’s Life of St. Patrick and the anonymous Lindisfarne Life of Cuthbert are good examples. It has been speculated that Adomnán derived his structural program from Gregory’s Dialogi, a work well known in Ireland in the seventh and eighth centuries. This paper aims to make this speculation more concrete by not only reinforcing the idea that the structure of the VC was derived from Gregory’s Dialogi, but by arguing that the whole work is conceptually derived from this work on various levels. A close reading of the two texts reveals that Adomnán had a clear understanding of Gregory’s diagnostic exploration of the soul given in the Dialogi in which the ‘living’ holy man was the ‘doctor of souls’ to his flock. This exploration defines Gregory’s central thesis in his Dialogi that the holiest of paths to God pertains to a vita contemplativa. The model saint of this vita is St. Benedict and it is to Gregory’s 'Life of St. Benedict', amongst many other things in the Dialogi, that Adomnán turns to for inspiration for his VC.
1 December
Previous Papers for 2008
4 February
Usually at the first session of the Round Table for the year we spend some time planning the meetings, both possible papers and a refreshment roster. So please consider whether you may have some research you would like to present, or other suggestions for Round Table discussions.
People who were at the Christmas dinner in late 2007 will remember discussing a theme for 2008, and ‘time and temporalities’ was the winner. To start this off, we have two articles for discussion on Monday 4. Copies (for you to photocopy) are in the Round Table box in the English Department kitchen, and are as follows:
Carolyn Dinshaw, 'Temporalities', in Middle English, Oxford Twenty-First Century Approaches to Literature, ed. Paul Strohm, Oxford: Oxford University Press, 2007, 107-23
Sacha Stern, 'The Rabbinnic Concept of Time from Late Antiquity to the Middle Ages', in Time and Eternity: The Medieval Discourse, ed. Gerhard Jaritz and Gerson Moreno-Riaño, Turnhout: Brepols, 2003, 129-45
3 March
John Burke, School of Historical Studies
Digitizing an Illuminated Medieval Manuscript
The sole extant illustrated Byzantine Greek chronicle is the 12th-century Matritensis Graecus Vitr.26-2. With 575 miniatures, it is possibly Europe's first illustrated history book. Its origins are a hot issue but the discussion - and the proper evaluation of the manuscript's significance - has been marred by poor reproductions, flawed descriptions, observations taken out of context, unexamined assumptions and imperfect communication between art historians and palaeographers. An expensive but disappointing print facsimile underscored the need for a comprehensive multi-disciplinary study supported by a high-quality reproduction and a panoply of scholarly aids. As work progresses on the Digital Madrid Skylitzes we face an embarrassment of riches offered by the electronic medium to enhance both training and scholarship.
7 April
Stephanie Trigg
When is the
Medieval?: Medievalism as a Critique of Periodization
This paper will take as its starting-point Jeffrey Cohen's discussion of "Time's Machines" in his Medieval Identity Machines. My paper will try and develop the thesis that modern medievalism has the potential to trouble the secure historical boundaries in which "the medieval" is normally confined. It will explore some of the implications of the problematic relations between what is medieval and what is medievalist in Western culture.
As pre-reading, Stephanie suggests accessing Cohen’s work on his group blog, In the Middle, at http://jjcohen.blogspot.com/2006/08/times-machines_08.html.
5 May
Claire Monagle
Creation and Regulation in the 12th Century: New Ideas and the Naming of Heresy
The 12th-century proto-universities were hothouses of creative theology (Abelard comes to mind), yet the schoolmen’s redefinition of orthodoxy contributed to the rise of a more centralised, and perhaps persecutory, papacy. Clare Monagle will explore this tale of tension between intellectual innovation and social control.
2 June
Helen Dell
Exotic Sexualities: The Countertenor Voice in the Post-World War Two Medieval Music Revival
The idea of the ‘medieval’ has often exercised a powerful hold over the imagination of late twentieth-century readers, viewers and listeners, functioning as an escape route to an exotic and sometimes transgressive fantasy world. A number of medieval music recordings have sustained the fantasy with a variety of musical strategies. Some of these strategies play with the sexual implications of vocal register and timbre.
One of the most successful of these strategies has been the use of the countertenor voice with its connotations of sexual ambiguity and of a mysterious and forbidden sexual knowledge, power and enjoyment. One instance is the Boston Camarata’s Tristan and Iseult. Here the role of Tristan is given to a luscious counter-tenor, while the cuckolded King Mark is a harsh, unrefined baritone. In this paper I consider the historical evidence for the claim that ‘something akin to a countertenor voice was well-known in the Middle Ages’,* and the ways in which musicologists, performers and ensemble directors since WW2 have taken up and exploited this evidence to make of medieval music an exotic and sexually titillating otherworld.
*Bowers, Roger, ‘The Performing Pitch of English 15th-Century Church Polyphony’, Early Music v. 8 no.1 (Jan. 1980), pp. 21-8, p. 22.
7 July
John Crossley
Ptolemy's Almagest: A Melbourne Treasure
Ptolemy's Almagest was the book on astronomy for more than 1000 years. Though originally in Greek, it penetrated Europe through Spain in Arabic versions. Gerard of Cremona, the great translator, made a version in the twelfth century.
Besides its technical mathematical content, which I shall not discuss, the Melbourne manuscript contains an interesting interpolation listing the dates of kings, which list is the foundation of our own chronology.
This interpolation from the Canon of Kings allowed me to date the All Souls, Oxford, Almagest manuscript and also explains notes in a common place book of Henry Savile, a Yorkshireman who became Warden of Merton College, Oxford and Headmaster of Eton - simultaneously - in the late sixteenth century.
4 August
Anne McKendry
The Pleasure of Medieval Romance: Sacrificing Chivalry and Courtly Love in Sir Gawain and the Green Knight
Pleasure is a concept that is simultaneously elusive and ubiquitous. It is deceptively easy to define as "a feeling of happy satisfaction and enjoyment" (OED), but this definition is immediately complicated by the second entry offered by the OED: "one's wish or desire". Is pleasure concerned with the fulfilment of the present or the desire for the future? That it can be one, or the other, or both, imbues pleasure with an often-unrecognised complexity. Pleasure is multi-layered and multi-faceted. It swirls around and through the conscious and unconscious mind, both individual and collective, directing thoughts and determining actions. All decisions are informed by the possibility of pleasure for the self; even seemingly difficult or distasteful actions are, in fact, the result of desire functioning as sacrifice, as Louise Fradenburg has so convincingly shown. Pleasure is able to operate in this all-pervasive manner because it forms part of the imaginary through which the subject engages in dialogue with the self, with the Other, and with others.
This paper will consider the operation of pleasure in the late-fourteenth-century poem Sir Gawain and the Green Knight. It will explore the obscene pleasure of sacrifice and how this complicates chivalry, as well as considering briefly the pleasure of an imagined medieval nation. This analysis will rely heavily upon Fradenburg's Lacanian framework, while also employing the Bakhtinian concepts of dialogism and the chronotope. Roland Barthes has differentiated between a text of pleasure and a text of bliss (jouissance) and it will be argued that Sir Gawain and the Green Knight meets the criteria of the latter through its (blissful) rupture with medieval traditions of courtly love.
Previous Papers for the Medieval Round Table
The programme and abstracts for 2007 are available here.
The programme and abstracts for 2006 are available here.